But, he says, their patience frequently paid off: “ such a spectacular environment that when the light was right, even a locked-off shot or a steady shot just looked absolutely phenomenal.” #My octopus teacher netflix windows#This also meant they had to work quickly, often seizing short windows in which the waters were at their calmest and the light was just right. “We had to shoot it over quite a long period of time to pick the good days.” “It’s very shallow and very surge-y, so trying to keep the camera steady was always going to be a challenge,” Horrocks says, adding that weather and safety constantly factored into their shooting schedule. Their diving site, not far from Cape Town on South Africa’s southwestern coast, presented its own set of hurdles. #My octopus teacher netflix free#“I would have just missed too much if I’d been free diving. “Even though we were shooting on different formats, we were collaborating in terms of style, and that really helped to create a coherent visual look,” Horrocks relates, adding that, unlike Foster, he used scuba gear during filming. “We can’t change lenses underwater, so that kind of gives you enough of a wide, but then also that ability to get in tighter to get the coverage that you need for characterization.”įoster, meanwhile, used Panasonic’s smaller Lumix Tough waterproof camera. “On the Super 35 sensor, it kind of gives you about a 24 to 70mm coverage, which is really optimal,” he says. To lens the underwater footage in the doc - directed by Pippa Ehrlich and James Reed and available on Netflix (Foster served as producer) - Horrocks used his go-to Red Dragon digital camera with a Nikon 1755 lens. #My octopus teacher netflix archive#It was out of that archive that we were able to make Octopus Teacher.” We amassed massive archive material because we were doing so much time in the water. And that really was the start of us working on the Blue Planet sequence. Craig mentioned the behavior of the octopus, where it hides in shells and protects itself from sharks. “I wanted to do some sequences in the South African kelp forest, and I had kind of an idea of a story, but it wasn’t powerful enough. My experience has taught me otherwise.”įoster and Horrocks had worked together previously on several docs, including Discovery’s Into the Dragon’s Lair, about papyrus caves in Botswana, and - notably - they teamed on an octopus sequence for BBC’s Blue Planet II. “There’s the scientific kind of gestalt, which says that there’s the strong line between animals humans, and they’d be fundamentally different. I felt that it was really between Craig and the octopus,” he explains. “I didn’t really want to get involved too much in that relationship. The relationship between Foster, who had reached a point of exhaustion from work and found renewal through diving, and the sentient invertebrate was one that Horrocks marveled at, even though his interaction with the pair was intentionally limited. I mean, she was quite phenomenal in that regard.” That obviously enabled us to get the material, because some would never come out of their holes. “I was never there without Craig, so my instinct was that this trust was transferred onto me. “Obviously, there was a great deal of trust with Craig,” the DP says. But he wasn’t the only one to be moved by this unlikely bond between man and cephalopod: Foster’s friend and cinematographer Roger Horrocks found the experience to be profoundly moving. In the Oscar-nominated documentary My Octopus Teacher, filmmaker Craig Foster explores the remarkable relationship that he forms with an octopus while free diving in an underwater kelp forest in South Africa’s False Bay.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |